Review of the album YELLOW SUBMARINE (1969), and the rules of our ABBEY ROAD Contest

Why our sudden interest in Beatles albums? Click on the above image for a complete explanation!

Yellow Submarine – Released Jan. 13, 1969

In contrast to the acclaim for the lovely animated cartoon of the same name, the soundtrack album for Yellow Submarine was greeted largely with indifference by many critics and Beatles fans (though reaching No. 3 on the record charts ain’t exactly chopped liver). This might have been due to The Beatles’ Capitol Records-like stunt of filling the first side of the album with Beatles tunes, followed by the movie’s instrumentals on Side 2 — and also by the album’s “recycling” of two previous hits to fill out the Beatle-laden side of the album. Heard in retrospect, though, the album is quite enjoyable on its own terms.

(Since this album is such a hybrid, I am going to review its selections a bit differently than before. As I noted, two of the songs come from previous albums, for which I will simply post a link to their previous reviews on this blog. And I am going to review Side 2 as a complete entity of its own.)

Yellow Submarine – (Previously reviewed as part of the album Revolver.)

Only a Northern Song – If you’re listening to this song, you may think George wrote this only to fulfill a contractual obligation, and you’re correct. The Beatles’ “new” musical contributions to the Yellow Submarine film soundtrack are generally regarded as “filler.” This one is no exception (it’s basically tossed-off in the film, too), though the song’s juicy organ line propels it along well enough to give it at least one listen.

All Together Now – The movie’s visuals dress up what is otherwise one of Paul’s weaker lyrical attempts, which is little more than a nursery-rhyme game. (However, it’s also disconcerting to see a G-rated cartoon sporting a song that asks, “Can I take my friend to bed?”) The song works better in retrospect than when you’re actually listening to it.

Hey Bulldog – Another free-associational song from John Lennon, who un-ironically sings “You can talk to me” in the middle of gibberish that makes it quite clear you’d better not have a conversation with him right then. It was originally deleted from the movie, and it’s not hard to see why.

It’s All Too Much – One of George Harrison’s most underrated Beatles songs –probably underrated even by George himself. The song’s glorious kick-off sounds like Harrison’s answer to Lennon’s famed guitar feedback on I Feel Fine; I still get a chill when I hear it. And the lyrics are as delightfully non sequitor as anything Lennon ever dreamed up (“Show me that I’m everywhere/And get me home for tea”). An unsung (so to speak) little gem.

All You Need Is Love – (Previously reviewed as part of the album Magical Mystery Tour.)

Instrumental music composed and conducted by George Martin: Pepperland, Sea of Time, Sea of Holes, Sea of Monsters, March of the Meanies, Pepperland Laid Waste, Yellow Submarine in Pepperland

As previously noted, many Beatles fans shouted “Rip-off!” when they discovered that the soundtrack album’s second side contained nothing but…music from the movie’s soundtrack! But as with any good soundtrack, the movie’s instrumentals hold up quite well on their own, and hearing just the first few bars of any of those selections is enough to draw up nostalgia-tinged memories of the movie. My favorite of all of the selections is March of the Meanies.


How would you like a shot at winning the two-CD 50th-anniversary edition of Abbey Road? If so, please read and follow our contest’s instructions as posted below.

1. Following are five (5) trivia questions related to the album Abbey Road. Read them, and write your answer to each question. (NOTE: Three of the questions are open-ended “multiple choice” and have more than one answer. You need provide only one answer for each of those questions; just be sure that your answer is one of the correct possibilities.)

2. Email your answers to:

Please write “Abbey Road Contest” in the email’s “Subject” section, and be sure to include your name and the email address you wish to use for the contest.

3. The contest ends on Mon., Feb. 10, 2020 at 12:01 a.m. Eastern time. At that time, I will choose three (3) contest winners based on the order in which the winning entries were sent. You must answer all 5 questions correctly in order to be considered for the contest. (There’s a little device called the Internet that should enable you to find the correct answers.)

4. Here are the prizes for the three winning entrants.

First prize: The two-CD 50th-anniversary edition of The Beatles’ album Abbey Road. (Please note that this is not the album’s deluxe edition that contains several extras, just the two CDs containing the original album and its outtakes.)

Second prize: The 2009 remastered edition of The Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band. (Please note that this is not the 2017 50th-anniversary edition, just the earlier remastered version.)

Third prize: Steve Turner’s 1994 book The Beatles: A Hard Day’s Write – The Stories Behind Every Song. A fascinating read that provides the origin stories for all of the songs that The Beatles “officially” released on their 13 studio albums and the three Anthology collections.

Here are the 5 Abbey Road-related questions that you need to answer correctly.

1. What was the working title for Abbey Road, and what inspired that title? (There are 2 possible correct answers for the second part of this question; I will accept either or both of them.)

2. The cover of Abbey Road inspired the famous “Paul is dead” conspiracy theory. Name two (2) of the clues from the album’s cover which supposedly proved that Paul McCartney was dead. (There are several possible correct answers for this question; please don’t make one up.)

3. What did Frank Sinatra get wrong about George Harrison’s song Something?

4. What song did most of the four Beatles agree was the worst song on Abbey Road?

5. On the back cover photo of Abbey Road is a blurred image of a woman walking through the shot. Most sources indicate that the woman was a passer-by who had no idea she was in the shot. Apart from that, who was the woman believed to be? (Again, there are 2 possible correct answers for this question: I will accept either or both of them.)

Email your entry to us as soon as possible, and good luck!


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